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Paul Roumanoff | Art Painting | Contemporary Modern Art
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Paul Roumanoff

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< Previous Page 2 of 5 (65 works) Next >

"Young Tinted Cheetah"
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Young Tinted Cheetah
US$ 133

"Tinted Buffalo
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Tinted Buffalo "Geelbekrenostervoel"
US$ 182

"In Yala"
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In Yala
US$ 109

"Tinted Pregnant Cheetah"
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Tinted Pregnant Cheetah
US$ 170


"Tinted Cheetah Mother and Cub"
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Tinted Cheetah Mother and Cub
US$ 176

"Profile of a Tinted Leopard"
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Profile of a Tinted Leopard
US$ 152

"Tinted leopard II"
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Tinted leopard II
US$ 152

"Tinted Portrait of a Young Cheetah"
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Tinted Portrait of a Young Cheetah
US$ 127


"Young Tinted Leopard"
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Young Tinted Leopard
US$ 170

"Tinted Caracal (Rooikat)"
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Tinted Caracal (Rooikat)
US$ 121

"Hunting Tinted Rooikat (Caracal)"
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Hunting Tinted Rooikat (Caracal)
US$ 121

"Tinted Cheetah - Looking back"
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Tinted Cheetah - Looking back
US$ 133


"Portrait of a Sable Antelope"
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Portrait of a Sable Antelope
US$ 139

"Battle in Heaven - Karoo Sunset"
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Battle in Heaven - Karoo Sunset
US$ 279

"Visser’s Farm with Goats"
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Visser’s Farm with Goats
US$ 303

"Tinted Leopard"
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Tinted Leopard
US$ 170


< Previous Page 2 of 5 (65 works) Next >

Paul Roumanoff

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About Paul

Paul Roumanoff

The animals appear to be executed with the intention of a realistic interpretation. If examined closely this will seem to be an incorrect evaluation. They exist solely as exercises in the power of the use of line. There is no softening in the shading, the linear quality merely suggest the areas of light and darkness. Patterns (the lines of the Zebra, spots of the leopard and cheetah, fur and mane of the lion) are exaggerated in the way they sinuously follow the bodies underlying structures and curvature. Tinting is used to highlight areas of focus (eyes, mouth) as well as break the monochromatic appearance of the work. Where the sun or moon are not shown the tinting provides a mere hint of colour. In the sun and moon works colour provides a strong signifier. This is done to create areas of maximum interest in the overall linear framework of the works. On examination the works are an abstract arrangement of line, which on viewing as a whole takes on the illus ional appearance of reality. I work in this way so that each animal is a technical challenge, that in order to succeed must also provoke a feeling of movement and emotion, both in the pictorial representation as well as the viewer.

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Price Range

US$ 98-970

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Exhibitions

1999:Group Exhibition – Knysna Art Gallery, 1998:Group Exhibition – Reid Gallery, Knysna, 1996:Group Exhibition – Knysna Art Gallery, 1982:Group Exhibition – Gallery 21, Johannesburg, 1979:Book Illustrations – Macbeth – Haum Publishers, 1978:Book Illustrations – Maseru – Haum Publishers, 1975:Mural – Crucifixion – Sevenoaks, Kent, England, 1974:Two painting in Pierre Cardin Collection, Paris, France, 1973:One man Exhibition – Gallery 101, Johannesburg, 1971:One man Show – Gallery 101, Johannesburg

Education

1985:MA Dramatic Art (WITS), 1968:BA Fine Arts Hon. (WITS)

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