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Paul Roumanoff | Art Painting | Contemporary Modern Art
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Paul Roumanoff

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< Previous Page 1 of 5 (65 works) Next >

"Protection – Cheetah Mother and Cub"
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Protection – Cheetah Mother and Cub
US$ 105

"Protection X2"
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Protection X2
US$ 142

"Lioness Hunting the Sun"
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Lioness Hunting the Sun
US$ 105

"Below the Dam Wall - Summer"
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Below the Dam Wall - Summer
US$ 128


"Tinted, Grazing Rhinoceros, with Red-Billed Oxpeckers"
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Tinted, Grazing Rhinoceros, with Red-Billed Oxpeckers
US$ 142

"Leopard – Awake at Sunset"
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Leopard – Awake at Sunset
US$ 133

"Sunset – After the Drought - Karoo"
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Sunset – After the Drought - Karoo
US$ 124

"Leopard's Moon"
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Leopard's Moon
US$ 124


"Tinted, Snarling Cheetah"
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Tinted, Snarling Cheetah
US$ 142

"Tinted Portrait of a Leopard"
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Tinted Portrait of a Leopard
US$ 110

"Tinted Buffalo Portrait"
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Tinted Buffalo Portrait
US$ 119

"Hyena Laughing"
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Hyena Laughing
US$ 95


"Guinea Fowl"
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Guinea Fowl
US$ 84

"Kuifkop Houtkapper"
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Kuifkop Houtkapper
US$ 84

"Tinted Lioness and Cub II - Almost Cute"
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Tinted Lioness and Cub II - Almost Cute
US$ 119

"Young Tinted Cheetah"
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Young Tinted Cheetah
US$ 101


< Previous Page 1 of 5 (65 works) Next >

Paul Roumanoff

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About Paul

Paul Roumanoff

The animals appear to be executed with the intention of a realistic interpretation. If examined closely this will seem to be an incorrect evaluation. They exist solely as exercises in the power of the use of line. There is no softening in the shading, the linear quality merely suggest the areas of light and darkness. Patterns (the lines of the Zebra, spots of the leopard and cheetah, fur and mane of the lion) are exaggerated in the way they sinuously follow the bodies underlying structures and curvature. Tinting is used to highlight areas of focus (eyes, mouth) as well as break the monochromatic appearance of the work. Where the sun or moon are not shown the tinting provides a mere hint of colour. In the sun and moon works colour provides a strong signifier. This is done to create areas of maximum interest in the overall linear framework of the works. On examination the works are an abstract arrangement of line, which on viewing as a whole takes on the illus ional appearance of reality. I work in this way so that each animal is a technical challenge, that in order to succeed must also provoke a feeling of movement and emotion, both in the pictorial representation as well as the viewer.

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Price Range

US$ 84-734

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Exhibitions

1999:Group Exhibition – Knysna Art Gallery, 1998:Group Exhibition – Reid Gallery, Knysna, 1996:Group Exhibition – Knysna Art Gallery, 1982:Group Exhibition – Gallery 21, Johannesburg, 1979:Book Illustrations – Macbeth – Haum Publishers, 1978:Book Illustrations – Maseru – Haum Publishers, 1975:Mural – Crucifixion – Sevenoaks, Kent, England, 1974:Two painting in Pierre Cardin Collection, Paris, France, 1973:One man Exhibition – Gallery 101, Johannesburg, 1971:One man Show – Gallery 101, Johannesburg

Education

1985:MA Dramatic Art (WITS), 1968:BA Fine Arts Hon. (WITS)

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