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Lyn Hoyle | Contemporary Art | Outstanding Art at Affordable Prices
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Lyn Hoyle

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"Fragmented Landscape-Clarens 4"
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Fragmented Landscape-Clarens 4
US$ 222

"Fragmented Landscape-Clarens 5"
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Fragmented Landscape-Clarens 5
US$ 388

"Fragmented Landscape-Clarens 6"
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Fragmented Landscape-Clarens 6
US$ 388

"Latent Vestiges - Protea"
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Latent Vestiges - Protea
US$ 458
SOLD


"Latent Vestiges - Chrysanthemum "
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Latent Vestiges - Chrysanthemum
US$ 458
SOLD

"Fragmented Landscape - Oranje"
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Fragmented Landscape - Oranje
US$ 1,109
SOLD

"Fragmented Landscape- Eastern Freestate"
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Fragmented Landscape- Eastern Freestate
US$ 1,109
SOLD

"Zen Experiments - King Proteas"
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Zen Experiments - King Proteas
US$ 1,109
SOLD


"Tea Chest"
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Tea Chest
US$ 1,109
SOLD

"Tree of Life - The Old Village"
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Tree of Life - The Old Village
US$ 832
SOLD

"Let It Be"
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Let It Be
US$ 832
SOLD

"Spider Chrysanthemum "
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Spider Chrysanthemum
US$ 832
SOLD


" Spider Chrysanthemum 1 "
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Spider Chrysanthemum 1
US$ 832
SOLD

"Zen Experiments Protea 1"
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Zen Experiments Protea 1
US$ 832
SOLD

"Latent Vestiges - Spider Chrysanthemum 3"
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Latent Vestiges - Spider Chrysanthemum 3
US$ 458
SOLD

"Latent Vestiges - Wild Magnolia"
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Latent Vestiges - Wild Magnolia
US$ 458
SOLD


< Previous Page 1 of 2 (27 works) Next >

Lyn Hoyle

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About Lyn

Lyn Hoyle

Egon Schiele & Paul Klee are my biggest influence [0x1]drawing is taking a line for a walk[0x1], To me line is the absolute. Whether it[0x1]s a charcoal sweep or mono print line. Is always the skeleton. Next is the materiality of the creative process, creating textured surfaces on which to paint. the contrivance of accidents. frottage, paint spills and free association, collaged materials

I choose my themes and direction before and during the preparation of the canvas which takes a long time- stage 1; prime and texture with gesso to create depth stage 2;apply washes and blocks of colour. Stage 3; render the line -this is very important to me and depending on the effect either I monoprint onto the canvas [0x1] a very messy affair [0x1] or use charcoals paint or inks.
With a chosen very limited palette, autumnal tones,very influenced by the sandstone cliffs of Clarens. The root of my fascination with symbolism is my convent schooling, ritual, icons, stainedglass windows, relics.
My personal motifs are the tree, owl, water, house
More inspiration for me hails from suggestions of a line of poetry, comment or observation.
Poetry [0x1] Japanese Haiku, Zen poetry, Rabindranath Tagore
African legends [0x1] Indaba my Children -Credo Mutwa, The Origin of Life and Death [0x1] edited by Ulli Beier

Price Range

US$ 222-1,202

Email

Exhibitions

Various, international & National
COLLECTIONS – Merchant Bank of SA and the JCI

Education

Dip graphic design-East London, Dip marketing -Damelin

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